Cars For Sale - Used Cars For Sale - Used Cars - Sellcar-online.com®: Preliminary Sketches

Cars For Sale - Used Cars For Sale - Used Cars - Sellcar-online.com®

Used Cars - New Cars - Search New & Used Cars For Sale

Showing posts with label Preliminary Sketches. Show all posts
Showing posts with label Preliminary Sketches. Show all posts

Monday, February 10, 2014

Sketches for "Digging Leviathan"

February 10, 2014 0
Here are some initial concept sketches for the cover of a 1984 science fiction novel called Digging Leviathan by James Blaylock.  


The sketches are drawn in pen and marker. I was trying to stay loose, letting ideas happen with each iteration, like a musician's multiple takes in a recording studio.

In the story, the hero makes a machine that can dig under modern-day Los Angeles in search of Pellucidar.

Blaylock is widely regarded as one of the originators of the steampunk movement. I loved the way he introduced fantastical elements into the banal reality of the modern world.
-----
See an unused color sketch for this cover at the previous post, "Digging Machine"
Read More
- No comments:
Labels:

Tuesday, February 5, 2013

Richard III by E. A. Abbey

February 05, 2013 0

The Guardian announced yesterday that the bones found underneath a parking lot in Leicester, do indeed belong to Richard III, England's last Plantagenet king, who was killed in 1485 in the battle of Bosworth. The clues included DNA tests, the variety of injuries, and the distinctive deformed spine.

Richard III was the subject of a Shakespeare play, a famous scene of which was painted by Edwin Austin Abbey (1852-1911).



The painting is in the collection of the Yale Art Gallery, which says the painting "shows the villainous, humpbacked Richard proposing to Lady Anne, Henry VI's widowed daughter-in-law, as she walks in the late king's funeral procession. Swathed in a sheer black veil and wearing a gown stiff with heraldic embroidery, she is accompanied by Richard's two young nephews and black-cloaked, halberd-bearing honor guards, their halberds reversed as a sign of mourning."

Abbey's preliminary studies show how the composition took shape. This early oil study concentrates on the protagonists, with Lady Anne leaning away from Richard's dastardly gesture as he offers the ring. 

Another oil sketch resolves the finery of their costumes, and the dark processional figures begin to emerge from the background. 


Here's a later sketch, which Abbey would have done from his imagination, while doing studies of models taking the poses. Abbey's friend John Singer Sargent sent over a model that he thought would be perfect for the Lady Anne.


Between research, sketches, and gathering props and costumes, not to mention the final painting, Abbey took months to complete the work. At one point he had painted all the halberds facing upward until he realized that they should facing downward in mourning. He completely repainted the Lady Anne's costume when he realized he got the heraldry wrong the first time out.



The Yale museum describes the scene further: "Shortly before the moment depicted, Anne has heaped curses on Richard for having brutally stabbed to death both her father-in-law and her husband, Edward, Prince of Wales. Undaunted, the fawning Richard praises her extravagantly, asserting that he killed them in order to get near her, and offers to let her kill him, or to kill himself with the unsheathed sword that he holds up. But instead of plunging it into his breast, as she asks, he offers her a wedding ring. She will later succumb to his flattery and declarations of remorse, and accept his proposal." 

Abbey shows her after her earlier rage has transformed to numbness and vulnerability. 

The painting was the sensation of the 1896 Royal Academy exhibition. Punch dubbed it "The picture of the year." The Art Journal said it was "one of the artistic surprises of the century." 

Edwin Austin Abbey (1852-1911) Exhibition catalog
A book of Abbey's drawings is currently in development at Flesk Publications
Read More
- No comments:
Labels: , ,