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Showing posts with label Comics/Cartooning. Show all posts
Showing posts with label Comics/Cartooning. Show all posts

Wednesday, December 4, 2013

Charles Keene's cartoons about artists

December 04, 2013 0
Charles Keene (1823-1891) was a cartoonist for the British humor magazine Punch. His incisive characterization was admired by Edgar Degas and Adolph Menzel.

Many of his cartoons poke fun at problems faced by artists. Some are universal problems, and some are peculiar to Victorian society.
A tourist tries to help an artist by posing in the foreground of his scene, hoping to be painted into it.


The fellow on the left paints ships and the other paints pictures of ships. When the low-class chap presents himself as a brother brush, the other takes a dislike to the whole place.

After a long look, the farmer's wife doubts that the artist is painting "any place hereabouts."
The artist brings his friend to a favorite sketching spot, but the non-artist doesn't see the beauty in it.

Two bystanders, a village schoolmaster and an intelligent farmer, observe the artist's fumbling efforts and conclude that he's an amateur.

A buyer asks for "a little more picture and a little less mount."

An Irish model objects to wearing a dilapidated costume.

And here's a peek behind the curtain at the man himself, Charles Keene, as seen by Félix Bracquemond
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Tuesday, August 6, 2013

Hitchcock's Rule

August 06, 2013 0
Movie director Alfred Hitchcock articulated the following rule of filmmaking: "The size of an object in the frame should equal its importance in the story at that moment."


Orson Welles applied the Hitchcock Rule to the famous three-minute opening shot for his 1958 film "Touch of Evil" (video link). The first frame is filled with a ticking time bomb. Then the camera pulls way back to set the scene, and closes in on the main characters as they kiss...and then...well check it out.

Movie posters (and lobby cards) often follow the same basic rule, but in a poster the single image has to encompass the entire movie. The poster image needs to tell the viewer who are the main characters, and how much action, romance, or spectacle there's likely to be.


This illustration for "Solomon and Sheba" by Frank McCarthy uses the scale of each element to suggest what's most important: characters, romance, action, and spectacle.


Milton Caniff, like all comic artists, was influenced by film. He used the same principle Hitchcock was talking about when he planned the size of each character and element in this panel breakdown.
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More about Milton Caniff and other comic artists
Blain Brown explains Hitchcock's rule and much more in his excellent book: Cinematography: Theory and Practice: Image Making for Cinematographers and Directors


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Wednesday, June 12, 2013

Sketches at IMC

June 12, 2013 0

Quick post to let you know that I am at Illustration Master Class in Amherst, Massachusetts, where a group of 95 artists work on a college campus for a week to create a fantasy painting under the guidance of the full-time faculty and guest lecturers. 

Here's Mo Willems, children's book writer and illustrator, who gave a talk about his book, which include A Big Guy Took My Ball! .

We were also treated to a talk by New Yorker illustrator and character designer Peter de Sève. He told the story how he got started as an illustrator and found his way to his movie design work.
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Previously: Illustration Master Class 2011
Book: A Sketchy Past: The Art of Peter de Seve
Mo Willems A Big Guy Took My Ball!

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Tuesday, June 11, 2013

Documentary about Cartoonist Charles Addams

June 11, 2013 0

This video tells the story of how Charles Addams (1912-1988) got his start as a cartoonist for the New Yorker and how he developed the macabre cast of characters who eventually became the Addams Family on television and movies—(Gomez, Morticia, Wednesday, Pugsley, Uncle Fester, Grandmama, Lurch,Thing, Cousin Itt, and Ophelia). (Direct link to YouTube video)

Addams Family on Wikipedia
Book: Charles Addams: The Addams Family: an Evilution
Thanks, Robert


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Tuesday, February 26, 2013

Star Trek, Pixar Style